Catalogue Design, Kunsthalle Leipzig 03

A venture into the artists personal archive and inspirational material. This edition explores the method of the artist and translates it into an immersive experience as ephemeral material is placed and scattered around waiting to be found.

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Typeface Design

In 1937, A.M. Cassandre designed Peignot for the Parisian foundry Deberny & Peignot. No traditional lowercase. Instead, small caps with ascenders and descenders, drawn from medieval half-uncial scripts and the history of Roman inscriptions. His argument: lowercase letters were nothing more than capitals deformed over centuries by the hands of scribes. The printing press had simply inherited that deformation. The attempt: to combine the readability benefits of ascenders and descenders with the less readable approach of body text set in ALL CAPS (…)

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Featured Website Design, Identity

Matthias Gschwendtner

For Matthias Gschwendtner's new website, CTP. TP. P. developed a visual and navigational language that reflects the tension at the core of his practice. Between strict method and open outcome. Between the precisely defined and the completely unexpected.

A custom typeface and a special XYZ cursor developed specifically for this project draws on the logic of vintage technical software and introduces a sense of three dimensionality into the flat space of the web interface. The homepage operates as an unlimited room where projects scatter freely, and yet precisely located by navigational tools.

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BINGO Exhibtion

On the occassion of a special exhibition dedicated to the artist, and professor Ingo Meller.

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Kunsthalle Leipzig, Edition 2

The second edition catalogue reimagines exhibition publishing as a research tool. Designed for Margarita Wenzel's ‘Shine Bright Like’ at Kunsthalle Leipzig it weaves archival materials, essays and visual fragments.

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New Formage, Booklet

A booklet that acts as a visual manual for a product so intuitive, it barely needs one. An love letter to the absurdity of User Manuals vs. self explanatory design goals.

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Art Basel Invitation, Galerie Thomas Schulte

The invitation design reinterprets an infamous design icon created by Curt Teich’s bold type style and saturated visuals well known in the Americas. This antique but bold idea of sightseeing was turned alive once more for special guests of the Art Basel.

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Studio Teiwas

A modern take on the infamous typeface ‘Eurostil’, with a care for the next level of modernity and some unusual moments softening its technicality with a humanistic approach.

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Visual Identity Design for MYLASHER.earth.

This playful visual identity embraces transformation and self-production. Built on a DIN-A-based modular grid, it adapts seamlessly across print and digital formats. The system is bold, intuitive, and designed to evolve alongside the artist's practice.

The identity system for MYLASHER.earth was conceived as a living framework rather than a fixed set of rules. It gives the artist full autonomy over her visual communication while maintaining a consistent, recognisable presence across every medium.

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Phillip Koll

A daring identity so simple it should almost be illegal. A dedication to the normal embraced by the highly aesthetic approach of the photographer Phillip Koll gets it’s well deserved design stage in finding beauty in the absent and overlooked rough moments in life.

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CEO Cap Campaign

Art-, Creative Direction of CEO Campaign. Photography by Phillip Koll.

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OFFDAYS Music Festival

A distinct customised logotype with a clear visual identity spanning from digital to print applications. A newly launched festival brand designed to take place in different locations during two to three days.

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Blies Festival

A visual identity for Blies’22 that expands on the festival’s lakeside origins with an experimental topological system. Developed together with Martin Taylor, it maps the imaginary spatial and sonic landscape into a dynamic graphic language.

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MYLASHER Catalogue

Catalogue for MYLASHER which features silver and bronze Pantone accents and unfolds like a castaway diary—intimate, atmospheric, and reflective. A tactile book object shaped by the artist’s own words and sonic world.

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BEA1991

An intuitive website for BEA1991 rejecting hierarchy and embracing a nonlinear, hyperlink-based navigation. Designed to reflect on BEA1991’s multidisciplinary practice, it mirrors the interwoven, free-associative logic behind her artistic world.

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Decades Amsterdam

Poster design built from about 400 potential excuses that stop people from creating—turning procrastination into visual momentum. Full-circle concept and execution.

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Allan McCollumn X Galerie T. Schulte

Typographic system developed to follow strict formal rules set by the artist. A dense typesetting of over 1,200 names formed the visual base of Allan McCollum’s large-scale artwork, exhibited at Art Basel Unlimited 2024.

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FREITAG Zurich

A custom e-commerce experience built from the ground, reflecting the brand’s current ethos through tailored design, storytelling, and modular functionality for their one-of-a-kind products.

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Markus Mai

A radical website for artist, product designer, and architectural thinking Markus Mai.

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MULTI DIMENSIONAL BEING

This hybrid publication stages a cast of fictional characters drawn from fantasy, tech, and spirituality. Structured with two reading flows, the catalogue design merges final work and source material into a cascading layout that mirrors its conceptual complexity.

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a&o Kunsthalle Leipzig

An institutional redesign which builds upon the Kunsthalle’s hybrid spirit—professional staging and yet to be known artists inspired this modular identity system that can flex, host, and hold a multitude of voices. From print to web, everything adapts to the urgency of the now and the yet unknown state of being.

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Loser Wins, Bea1991

Title Concept and Design for Bea1991’s 2019 released music video ‘loser wins’. Realised together with CGI-Artist Thomas Spieler.

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Facets, Faces

This book design disrupts conventions through typographic fragmentation —embracing widows, orphans, and delayed hyphenation— to mirror curatorial themes of identity and invisibility. Its design challenges the notion of a “well-made” book, mirroring the exhibition’s conceptual tension.

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Dea Kaker

Playful and inner dialogue of an ongoing battle of competing passions and professions combined to a strong design concept for Dea Kaker.

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Tine Guenther, MYLASHER

Documented in an array of various sizes and qualities of imagery, the catalogue follows the given material by its nature.

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NewPerformanceCulture

A special typeface designed for the eponymous performative art installation of ‘P.G.’. Making use of ‘contextual alternates’and the design of two additional versions of each letter of the alphabet, the typeface creates a logo look kind of feel for all words written.

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